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The Lion and the Lamb

--A Tale of Love, Lies and Loyalty
Copyright © Edith Cortland Lee
 
About the Play
Copyright Protection: This play is fully protected under the copyright laws of the United States of America as well as all countries covered by the International Copyright Union, including Canada and the British Commonwealth, and of all countries with which the United States has reciprocal copyright agreements.
Reservation of Rights: All rights to this play are strictly reserved, including all stage performance rights, all motion picture, video, broadcast and recording rights, and all forms of mechanical or electronic reproduction.
Performance: All performance rights to this play are controlled by the author. Inquiries concerning performance of this play should be directed to Edith Cortland Lee. Please reference "The Lion and the Lamb" in the subject line of the e-mail.
Other Restrictions: There are to be no deletions, alterations, or changes of any kind made to this play. Any individual or group receiving permission to perform this play must assign credit to Edith Cortland Lee as the exclusive author of the play. Any unauthorized copying of this play is strictly forbidden by law. No part of this play may be reproduced, stored in a retrieval system or transmitted in any form, by any known means nor any yet to be invented including photocopying or scanning without express written permission of the author.
Author's Note
"The Lion and the Lamb" is not an attempt at historical reconstruction. It is a work of fiction. Although I have tried to keep the play historically accurate this was not my primary goal. Achieving 100% accuracy would have been an impossibility. I don't know it all, nor does anyone else. There are historical errors within the text. Probably my worst offenses were committed in Act 2. I have condensed and rearranged events and locations as well as put characters in places where they would not naturally find themselves. However, this was not due to ignorance. If I had stuck to history not only would Act 2 be 27 scenes long, it would have also lost its dramatic momentum.
Neither is this a thesis about what historical personages or events were really like. My choices were dramatic. I have tried to make the most interesting characters that I could, based on authentic historical figures though not dependent on them. I have also incorporated legends, even when I doubted their truth, if I thought they would make the most interesting story.
That said, I think people familiar with history may be surprised and pleased at what I DID include. Hopefully both those in the know and those unfamiliar with the original events will enjoy what I have written.
 
-- Edith Cortland Lee



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